![]() Japan Publishing Copyright Association (JPCA) – Issued a strong statement against Google Book Search Settlement Agreement. Performers’ Rights Entrustment (PRE) – Collects licensing fees of TV programs. Japan Photographic Copyright Association (JPCA) – Represents ten photographic business associations such as Japan Professional Photographers Society.Īudiovisual Rights management association (aRma) – Established by Japan Association of Music Enterprises, Federation of Music Producers Japan, Geidankyo (meaning consortium of entertainment performers associations of Japan). Downsized after the JASPAR’s spin-off in 2012. Société pour la Protection des Droits Artistiques (SPDA) – Handles works of Pablo Picasso and Henri Matisse. Japanese Society for Protecting Artists’ Rights (JASPAR) – Non-Japanese visual arts such as Marc Chagall, Salvador Dalí and Le Corbusier. Japan Art, Photograph and Graphic Art Copyright Organization (APG-Japan) – A member of the International Confederation of Societies of Authors and Composers. – Merged between Japan Rights Clearance Inc. Japanese Society for Rights of Authors, Composers and Publishers (JASRAC) – Largest CMO in Japanese music industries. Phonographic Performance Limited India (PPL India)Ĭomposers and Authors Society of Hong Kong Ltd. Indian Performing Rights Organization (IPRS) Indian Reprographic Rights Organisation (IRRO) The Societies’ Council for the Collective Management of Performers’ Rights (SCAPR)Ĭopyright Agency of Azerbaijan Republic (Azərbaycan Respublikası Müəllif Hüquqları Agentliyi) Motion Picture Licensing Corporation (MPLC) International Film and Movie Licensing Authority (IFAMLA) ![]() International Independent Artists Rights Organisation (iIARO) International Federation of Reproduction Rights Organisations (IFRRO) International Federation of the Phonographic Industry (IFPI) ![]() International Confederation of Societies of Authors and Composers (CISAC) Foreign Income: fifty percent (50%) of any all Net Receipts, after deduction of foreign taxes, actually received (less any cost of collection) by Publisher in the United States from sales, licenses and other uses of the Compositions in countries outside the United States other than public performance fees which are paid directly to Writer.Īssociation of International Collective Management of Audiovisual Works (AGICOA)īureau International des Sociétés Gérant les Droits D’Enregistrement et les Reproduction Mecanique (BIEM)Ĭhristian Copyright Licensing International (CCLI).Other Income: fifty percent (50%) of Net Receipts from any other source being directly identifiable as from usage(s) of the Compositions and not otherwise specifically referred to in this Agreement.Broadcast/Performance Income: fifty percent (50%) of the “publisher’s share” of all performing fees received by the Publisher from the broadcast/public performance of the Compositions.Synchronization Fees: seventy-five per cent (75%) of any and all sums actually received by Publisher from motion picture and television synchronization.Mechanical Royalties: a fifty percent (50 %) of Net Receipts actually received by Publisher from any license issued authorizing the manufacture of the parts of instruments serving to mechanically reproduce the Compositions in the United States.Sheet Music Royalties: fifty percent (50 %) of Net Receipts.Our new division will take the studio into even more areas that present our creative narratives beyond videogames and to open up ways for our fans to communicate and immerse themselves in these spaces. Kojima Productions' business development manager Yoshiko Fukuda added: "Finding new ways to entertain, engage and offer value to our fans is essential in a fast-moving, ever changing storytelling world. We are truly excited and looking forward to working with the very best entertainment talent we can, across all of the entertainment industries." Although we are a global organization, the new business development team will be centred in Los Angeles, CA. "The team has as its charter, the goal of expanding the reach and awareness of the properties now under development at Kojima Productions, and to make them even more a part of our popular culture. ![]() "The new division will be tasked with working with creative and talented professionals in television, music and film, as well as the more familiar games industry," says Russell. The new team will be led by Riley Russell, who joins the company after a nearly 28-year stint at PlayStation in various roles, including chief legal officer, and VP of business affairs. Death Stranding developer Kojima Productions has launched a new division dedicated to music, TV and film.īased in Los Angeles, California, the new division is designed to take the game studio's games to other pop culture areas.
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